Open Access Open Access  Restricted Access Subscription or Fee Access

Gender Performativity in Kathakali

Vishnu Achutha Menon, Boobalakrishnan N.

Abstract


This paper formed as a result of a series of interactions with, The Ladies Wing of Thripunithara Kaliyogam, formed in 1975 consists of artists who have expertise in handling all aspects of Kathakali like enacting, vocal rendering, percussions etc. They have performed all over India and abroad and it is a unique theatre group that has functioned for more than three and a half decades. The troupe consists of a total of 35 members. The paper circumnavigates the performativity of the troupe and active interactions with senior artists like Parvathi Menon, Geetha Varma, Radhika Varma, Kumari Varma, Sathi Våarma, N. Geetha, Vrinda Varma, Pramila P. etc.

Keywords: Kathakali, Performativity, The Ladies Wing of Thripunithara Kaliyogam

Cite this Article

Vishnu Achutha Menon, Boobalakrishnan. N, Gender Performativity in Kathakali. OmniScience: A Multi-disciplinary Journal. 2019; 9(1): 29–33p.


Full Text:

PDF

References


Achuthankutty, I. (2014). Kathakaliyude Kaipusthakam. Kerala, Dubai: Thiranottam.

Austin, J. L. (1962). How to Do Things With Words. p. 5.

George, S. E. (2012). They dance despite the disparity. The Hindu, pp. 1-2.

Joshi, P. C. (1985). ‘Women the neglected half’, An Indian Personality for Television: Report of the working group on software for Doordarshan, Vol.1., New Delhi, Ministry of Information and Broadcasting, Government of India.

Menon, V. A. (2018). Kathakali in Flux. Economic and Political Weekly, 87-88.

Pandeya, Avinash C. (1999). The Art of Kathakali. New Delhi: Munshiram Manoharlal Publishers Pvt. Ltd.

Unnikrishnan. C.P. (1994). A Window To Kathakali. Chowalloor Ramachandran, Aarceeyem. Ernakulam.

Zarilli, P. (1999). Kathakali dance drama where gods and demons come to play. London. Routledge.




DOI: https://doi.org/10.37591/.v9i1.1585

Refbacks

  • There are currently no refbacks.


eISSN: 2231-0398